Darkman 1990 Horror Movie Review

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling—but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside.